The wardrobe and look of the family and their house are tweaked slightly from standard to seem almost a caricature of a happy family. Chris' hair is meticulously combed, his shirt buttoned, jeans pressed, glasses unsmudged, even as he's just directing the delinquent in his basement. Kathryn's attire, meanwhile, gives a sense of Grey Gardens without the funky whiff of decay. Subtle visual clues hint that this family is freaky. But if Komasa had pushed their strangeness more in visuals, his twisted ending might have felt better suited, instead of a bit of a cheat.
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