The upshot: I struggle to imagine a process whereby an obscure English children’s game somehow inspired gestural customs in Georgia, Egypt, Russia, and Iran within less than a century. It seems more reasonable to me that these customs might instead originate in an ancient Mediterranean tradition of apotropaic magic, or charms intended to combat bad luck.
在台灣工作七年的阿宗去年則離開台灣回到越南,他認為在台灣工作已無發展性。原工廠始終將他視為最低廉的勞工,制度限制也使他難以轉換到工作條件更好的工廠。
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